Do not post images unless they contain newly-released album artwork, a track listing, tour dates, or other images containing relevant information that has not yet been posted.Live performances of songs from albums or collections on the Overposted/Favorites List may be posted when they are new, but they may not be reposted.
Do not post songs from an album or collection on the Overposted/Favorites List.
Do not post a song or a live performance of a song that has received more than 45 upvotes in the last 365 Days.No Reposts or Overposted/Favorites List Songs "Where is the line between biting and paying homage drawn?") If you are seeking the answer to a question about the name of a song, the source of a sample, the status of a project, the meaning of a line/song, the appeal of an artist, etc., ask in one of the recurring threads. The only exceptions are for appropriate threads (e.g. Do not post questions or requests outside of the Daily Discussion, Music Recommendations or Sunday General Discussion threads.Users who are found to regularly start/engage in flame wars or harass other users may be banned at moderator discretion. will be removed and may result in a permanent ban at the moderator's discretion. Additionally, comments deemed overtly racist, sexist, homophobic, transphobic, etc. Unwelcome content and prohibited behavior as defined by Reddit is never allowed.No Unwelcome Content or Prohibited Behavior Please read the Guidelines/FAQ before posting! Favorites/Do Not Post Listĭo not post songs from projects or collections listed on the Overposted/Favorites/Do Not Post List. The latest music, videos & news relating to your favorite hip-hop, R&B & future beats artists. The director, Damon Russell, initially coy about what was real and what was scripted, now emphasizes that “Snow on the Bluff” isn’t a record of actual events, that it’s just another lo-fi indie film, like “The Blair Witch Project.” Nothing to see here, officer.Welcome to /r/HipHopHeads! /r/Hiphopheads COVID-19 Donations Thread Because the footage is so raw, they say, the Atlanta police sought it as evidence in some criminal investigations. The makers of “Snow on tha Bluff” flip that reasoning.
Often makers of feature films using a documentary’s tools - hand-held cameras, jumpy cuts, ambient lighting, fragmented narrative - say they do so to approximate reality. No one seems to have a steady job, and there’s no shaking the sense of wasted souls in a forsaken sector of society.
NETFLIX SNOW ON THA BLUFF CRACK
This riveting account of thug life - the unglamorous, impoverished variety - is punctuated by constant profanity and undecipherable slang, occasional violence, steady drinking and weed or crack smoking. “They say drugs kill you,” he says to the camera, before disagreeing: “They help you out. We also learn about Snow’s business: selling drugs that are largely supplied, it seems, by ripping off other dealers at gunpoint during late-night raids. So we tour the Bluff while he introduces his crew, his baby mama and two toddlers, his grandmother, the street corner where his brother was fatally shot. The dealer, Curtis Snow, steals one other thing too: the idea of filming everything he does. A dealer approaches the car, smoothly talks his way in, directs them to a secluded street, then, pulling out a handgun, robs them of their money and - why not? - the camera. From the start of “Snow on tha Bluff,” which runs without any introductory credits, this jolt of a film drops into a you-are-there crime scene: Three college students - one manning a video camera - drive into the Bluff, a run-down neighborhood in West Atlanta (actually, run-down is being kind), looking to buy drugs.